Son Lux have just released, “Dangerous,” a new single assured in its insecurity. Get ready for synthetic healing on their newest EP, titled Remedy, due out 5/12; all proceeds benefit The Southern Poverty Law Center, so put your money down for pre-order here. “How am I supposed to sing?Don’t know the melodies,but oh, the void behind my teeth” Source: Bandcamp Continue reading
Tag: electronic
Patient yet subliminal darkwave. Continue reading
Lossy has teamed up with Strangers Are People Too for a visual album, Microverse, that acts more like a soundtrack accompanying film than it does an independent music project. Four tracks make up the twenty minute excursion; listen to a taste above and prepare for the full journey, out April 28th. Source: SoundCloud / Lossy Continue reading
Daring, downbeat loungescape. Source: SoundCloud / Oliver Tank Continue reading
Elisee Akowendo is bursting with energy on his high octane single, “I Dey Shina,” sung partly in French and English, but mostly in his native Baoule language of Côte d’Ivoire. He is currently based in Tel Aviv, where he met Tamir Muskat, Continue reading
Jen Gloeckner has a new record, Vine, due out April 14th; recently she released the epic first taste above. “Vine” and “Firefly (War Dance)” are the album’s opening tracks, both completely enrapturing in their own ways, though the strong, spatial production dominates throughout. Source: SoundCloud / Jen Gloeckner Continue reading
Finding Solace in Ngaiire’s New Album, Blastoma
sngalbums: Originally appeared on Grimy Goods. On Blastoma, Ngaiire and her collaborators Paul Mac, Jack Grace, and Megan Washington create a rich texture of sounds and sentiments. Deep synths draw you into the opening track; provide an imonious pulse in “Cruel”; and, along with a number of other gorgeous tones, even create a sense of wonder in “House on a Rock.” Mac and Grace are … Continue reading Finding Solace in Ngaiire’s New Album, Blastoma
Hopelessness in the Face of Injustice
sngalbums: If you hated Jenny Hval’s feminist commentary noted earlier on this best of the year list, you may not enjoy ANOHNI’s contribution either. Then again, if you hated Blood Bitch because the ideas were too amorphous, then Hopelessness may be exactly the album for you. To mention one without the other would be a dismissal of intersectionality in today’s music industry, but this is … Continue reading Hopelessness in the Face of Injustice
Hopelessness in the Face of Injustice
If you hated Jenny Hval’s feminist commentary noted earlier on this best of the year list, you may not enjoy ANOHNI’s contribution either. Then again, if you hated Blood Bitch because the ideas were too amorphous, then Hopelessness may be exactly the album for you. To mention one without the other would be a dismissal of intersectionality in today’s music industry, but this is not … Continue reading Hopelessness in the Face of Injustice
Source: SoundCloud / discochay @postmuzik Continue reading
Sawdust & Gin 